Saturday, May 15th, 2010
Visualizing Art in Novels
I’ve noticed that when I read novels that describe or include art, I often end up imagining a work of art with which I’m already familiar (even if the description in the novel doesn’t match up perfectly). That being said, I couldn’t help but think of Francis Bacon’s Study after the Velasquez Portrait of Pope Innocent X (1953) the whole time I read Oscar Wilde’s The Portrait of Dorian Gray. It was a little frustrating, especially since my imagination had to constantly morph and tweak the painting to actually fit Wilde’s descriptions. Plus, hey, it’s not that pleasant to continually think about Bacon’s painting for the three hours that it took me to read the book.
For those of you who are not familiar with the Wilde novel, the plot revolves around a beautiful man who essentially sells his soul in order to remain beautiful and youthful. Instead of growing old or ugly, Dorian Gray owns a portrait of himself that shows the effects of age and sin in his life. His own visage constantly remains beautiful, despite the passage of time and horrible things Dorian does in his life. The portrait is described as pretty horrifying, since it gives evidence of Dorian’s black soul.
I recently discovered that a 20th century artist created a painting that was inspired by the The Portrait of Dorian Gray. In fact, Ivan Le Lorraine Albright was commissioned to create a portrait of Dorian Gray for Albert Lewin’s 1945 film adaptation of the novel.
There is a detail of Dorian’s murderous, blood-stained hand here. It’s a pretty creepy painting, don’t you think? Now I feel kind of glad that I visualized something as tame as a Francis Bacon.