Egyptian Hands

Fragment of a royal hand from the Amarna period, c. 1349-1336 BC

When I introduce students to Egyptian art, I often show them a short clip from Nigel Spivey’s documentary series, How Art Made the World. I like this clip for a couple of reasons, particularly since it introduces some of the Egyptian conventions for representing the human form. One of the parts that I think it particularly interesting is seen at 4:36 in the clip below, when Nigel discusses how Egyptian hands were represented.

Nigel explains that Egyptians were depicted with two identical hands (with “palms facing outwards”) and with fingers that were a “nice uniform length.” In other words, there is no differentiation between right and left hands. And, if you look at Egyptian art, you will find lots of examples that fit with Nigel’s description (although not every palm is necessarily represented as “facing outwards”). Notice the identical hands of the woman on the right side of the Stele of Amenemhat (see below), and also how the hands of the men are interlocked in an awkward way.

Stele of Amenemhat, c. 2000 BCE

It must be difficult to play the harp with two right thumbs!

Detail of a musician, tomb of Rekhmire, ca. 1425 BCE

For a general audience, I think that Nigel’s description of identical hands is fine. However, there are lots of other examples that don’t perfectly fit this description. Several Egyptian artists took time to represent two different hands. In fact, some works of art will depict one figure with identical hands and another figure with distinct hands. For example, one representation of King Tut (shown below, seated) shows the ruler with two left hands, while Queen Ankhesenamon has both a right and left hand.

Detail of gold throne panel of King Tutankamun, 1332-1322 BC

The same thing can be observed with the identical hands of Hu Nefer (from a Book of the Dead), but the varied hands of the god Horus:

Detail of Judgment of Hu Nefer (Hunefer), c. 1285 BC

Here is another instance, where the artist has taken pains to represent two different hands:

Woman combing the hair of Queen Kawait, from Queen Kawait's sarcophagus, c. 1400 BC

Luckily for this carpenter, he is able to make his chair with both a right and a left hand:

Carpenter Making a Chair, Tomb of Rekhmire, ca. 1479-1400 BC

As of yet, I have not found any scholarship which addresses the different representations of hands in Egyptian art. Perhaps it is too much of a daunting task to undertake. (But if anyone knows of such scholarship, please let me know!) Are composition and description the primary two considerations in every single instance where hands are represented? Perhaps so. However, I wonder if identical hands and/or varied hands might have other significations, at least in certain contexts.

Any thoughts? Does anyone have a favorite depiction of identical (or non-identical) hands from Egyptian art?

  • heidenkind says:

    It seems like a lot of the examples you gave of images with left/right hands are from the New Kingdom period. Do you think outside cultures Egyptians encountered in that era might have influenced them in being more naturalistic with hand depictions?

  • Pilar Medina says:

    Could it be that in some cases there are more than one artist involved? What about feet? When do they start to be different?

  • Wow, I’d never noticed this before. Fascinating post! I’ll never look at Egyptian art the same again. (The fragment at the beginning is BEAUTIFUL!) Thanks!

  • FlyingFox says:

    First time here and I’m really enjoying your blog!

    Now I don’t know the reasons why ancient Egyptians had two right hands, but I do know that “Principles of Egyptian Art” by Heinrich Schafer deals with pretty much all the details of Egyptian art and, more importantly, why it looks the way it does. Bit outdated in some cases, but still one of the best books on Egyptian art I’ve ever read. I’d really recommend checking it out!

  • Hi Karen and FlyingFox. Thanks for your comments! I’ll be sure to check out “Principles of Egyptian Art.” Sounds like a great resource. If Schafer gives any discussion that relates to the representation of hands, I’ll be sure to include it here.

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This blog focuses on making Western art history accessible and interesting to all types of audiences: art historians, students, and anyone else who is curious about art. Alberti’s Window is maintained by Monica Bowen, an art historian and professor.