Maya Lin and "Eleven Minute Line"

Last week, I heard Maya Lin speak at the university where I work. Her lecture was uncannily appropriate, since I had planned for my students to learn about Lin last week (before realizing that she was coming to speak). Minutes after the lecture began, I had two distinct impressions: 1) Lin is extremely tired of speaking about the Vietnam War Memorial and 2) Lin has a lot of flexibility in her career, since she established fame and recognition so early in life. Really, because Lin already has public attention and a fan base, she can create whatever she wants; she isn’t like many other contemporary artists, who seem to feel the need to be shocking or controversial in order to get attention.

One of my favorite parts of the lecture was when Lin discussed her ideas behind her earth art Eleven Minute Line (2004). This squiggly line is 1600 feet long and 12 feet high. And here’s the awesome part: it’s located in a cow pasture in Sweden. The first time I saw Lin’s piece, it immediately reminded me of the Serpent Mound (c. 1070 AD) in Adams County, Ohio (shown below). The Serpent Mound is the largest effigy structure in the United States, and it is thought to have been built by the the Fort Ancient people. (It was originally thought that the structure was built in prehistoric times, but carbon dating of the mound revealed a much later date.)

My suspicions regarding the connection between Eleven Minute Line and the Serpent Mound were confirmed during Lin’s lecture. The artist is from Ohio, and she has always been struck with the story of the Serpent Mound. When Europeans came to America and discovered the Serpent Mound, they concluded that an earlier group of Europeans must have made the structure and then traveled back to the Old World. Basically, these European explorers could not conceive that Native Americans could have built something so complex and monumental. Lin decided add a subtle element of irony with Eleven Minute Line by turning the tables a bit: she brought a design that was inspired from the New World back to the Old World (i.e. Sweden).

It was a real privilege to hear such a well-known artist speak. I was glad that she discussed her more recent art, too. Are you familiar with Maya Lin’s work (aside from the Vietnam War Memorial)? I think her interests in environmental/landscape issues are really interesting.

  • joolee says:

    i had recently read somewhere that Lin will be creating works along the Columbia River, at landmark Lewis & Clark spots, or something like that. but i can't be sure…i'll have to look it up.

  • e says:

    What a neat opportunity for you to get to hear her speak!

    I wanted to tell you that just the other day I was walking around the monuments at night with a native As we went past the Vietnam Memorial, I was able to tell the person the history about the memorial because I had learned it from your post! They had never head any of the stuff I told them before, even though they are from here. I thought it was pretty cool.

  • heidenkind says:

    Eleven Minute Line immediately reminded me of the Serpent Mound, too. I'm completely unfamiliar with the rest of Lin's work, but I would love the opportunity to hear her speak. 🙂

  • M says:

    Thanks for the comments, everyone! joolee, you're right about the Columbia River landmarks. Lin talked about it during her lecture. You can read more about the Confluence Project here. It was really interesting to hear Lin speak about this project – she draws some interesting comparisons between the way that Lewis & Clark viewed the land that they explored, in comparison to how the native people (i.e. the Chinook) viewed the land.

  • Emperor of EUtopia says:

    didn't know she was the one to do the Vietnam memorial, but I really really like her eleven minute line!

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This blog focuses on making Western art history accessible and interesting to all types of audiences: art historians, students, and anyone else who is curious about art. Alberti’s Window is maintained by Monica Bowen, an art historian and professor.